The John Curtin Gallery and MUMA (Monash University Museum of Art) will present a major survey exhibition of the work of Bidjara artist, Christian Thompson, one of Australiaās leading and most intriguing contemporary artists.
Perth audiences will have the opportunity to view photographic, video and sound-based works by this major artist. Thompson interweaves themes of identity, race and history with his lived experience. Christian Thompson: Ritual Intimacy explores the unique perspective and breadth of Thompsonās practice from the fashioning of identity through to his ongoing interest in Indigenous language as the expression of cultural survival.
Featuring a major commission created for this exhibition, Christian Thompson: Ritual Intimacy surveys Thompsonās diverse practice and is also accompanied by the first monograph on the artistās work, including essays by Brian Catling RA and Professor Dame Marina Warner DBE, CBE, FBA, FRSL. The specially commissioned installation is an ambitious multichannel composition, developing the sonic experimentation that is a signature of Thompsonās work.
Incorporating Bidjara language, it will invite viewers into an immersive space of wall-to-wall imagery and sound.
āBidjara is officially an endangered language but my work is motivated by the simple yet profound idea that if even one word of an endangered language is spoken it continues to be a living language,ā Thompson says.
The new multichannel work develops musical ideas Thompson has previously explored.
āIt will be a much more ambitious iteration of a song in Bidjara. At one stage Iām singing on one screen and then other versions of me appear singing the melodies. I really see it as an opportunity to do something thatās more complex musically, more textured sonically ā I also want it to be more intricate with my use of language,ā the artist says.
Ritual Intimacy is curated by MUMA director Charlotte Day and guest curator Hetti Perkins.
Day explains that the exhibition was part of MUMAās Australian artist series.
āChristianās exhibition traces a particularly productive period of research and development, from early well-known works such as the Australian Graffiti series to more recent experiments with language in sound and song works,ā Day says.
A long-time curatorial collaborator with Thompson, Perkins is the writer and presenter of art + soul, the ABCās acclaimed television series about contemporary Aboriginal and Torres Strait Islander art. Thompson was accepted to Oxford University on an inaugural Charlie Perkins Scholarship, set up to honour Hetti Perkinsās famous father ā a leader, activist and the first Aboriginal Australian to graduate from university.
Perkins says the MUMA exhibition is well-earned recognition for Thompsonās work, which she featured in the second series of art + soul.
āChristian has spent periods of his adult life, as a practicing artist, away from home, but there is a common thread in his work, and itās this connection to home or Country,ā Perkins says.
āIn terms of the rituals or rites of the exhibition title, he is constantly reiterating that connection to home ā through words, through performance, through his art, through ideas and writing,ā she says.
Alongside performance and ritual, Thompsonās concept of āspiritual repatriationā is central to his work.
Christian Thompson: Ritual Intimacy at John Curtin Gallery is made possible through the support of the John Curtin Galleryās Principal Presenting Partner Navitas Ltd and supported by the JCG Foundersā Club.
The exhibition is featured at the John Curtin Gallery until 21 July 2019.